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Lost Girls, by Nicholas Terpstra
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In 1554, a group of idealistic laywomen founded a home for homeless and orphaned adolescent girls in one of the worst neighborhoods in Florence. Of the 526 girls who lived in the home during its fourteen-year tenure, only 202 left there alive. Struck by the unusually high mortality rate, Nicholas Terpstra sets out to determine what killed the lost girls of the House of Compassion shelter (Casa della Piet�).
Reaching deep into the archives' letters, ledgers, and records from both inside and outside the home, he slowly pieces together the tragic story. The Casa welcomed girls in bad health and with little future, hoping to save them from an almost certain life of poverty and drudgery. Yet this "safe" house was cruelly dangerous. Victims of Renaissance Florence's sexual politics, these young women were at the disposal of the city's elite men, who treated them as property meant for their personal pleasure.
With scholarly precision and journalistic style, Terpstra uncovers and chronicles a series of disturbing leads that point to possible reasons so many girls died: hints of routine abortions, basic medical care for sexually transmitted diseases, and appalling conditions in the textile factories where the girls worked.
Church authorities eventually took the Casa della Piet� away from the women who had founded it and moved it to a better part of Florence. Its sordid past was hidden, until now, in an official history that bore little resemblance to the orphanage's true origins. Terpstra's meticulous investigation not only uncovers the sad fate of the lost girls of the Casa della Piet� but also explores broader themes, including gender relations, public health, church politics, and the challenges girls and adolescent women faced in Renaissance Florence.
- Sales Rank: #989658 in eBooks
- Published on: 2010-08-19
- Released on: 2010-08-19
- Format: Kindle eBook
Review
The book contains fascinating, and sometimes shocking, information about Terpstra’s topic. I appreciated that Terpstra does not exclusively limit himself to the subject of Casa della Piet�, but uses the mystery of what happened to the home’s residents as a way to examine related issues.
(Erin Schowalter Feminist Review)Lost Girls is a fine addition to any history collection, especially those with a focus on the Renaissance.
(Midwest Book Review)The Casa della Piet�, or House of Compassion, was one of Renaissance Florence's earliest shelters for orphaned or otherwise abandoned adolescent girls... Of the 526 girls who lived there during the 14 years it was open, 324 died there. What was killing these girls? Terpstra attempts to solve this mystery.
(Choice)[Terpstra's] study of Piet� can be recommended highly not only to those interested in women's history, social history, medical history, and economic history but also to anyone who cares about the historian's craft.
(Jonathan Davies Reviews in History)A masterpiece of historical writing and an invaluable contribution to the study of premodern Italy... This book should be welcomed by anyone interested in social history, gender history, the history of sexuality, religious history or the history of medicine.
(Tamar Herzig Journal of Modern History)Energetic, archival scholarship.
(Elizabeth S. Cohen Literary Review of Canada)Unusual and ingenious... Those interested in the history of early-modern Catholic Europe and Catholic institutions on the Italian peninsula will find much to think about while reading this book.
(Kate Lowe Catholic Historical Review)It is well written and well researched by an established and erudite historian of this period, and it treats a difficult subject: the situation of Florentine orphaned or abandoned adolescent girls in the sixteenth century.
(R. Burr Litchfield Renaissance Quarterly)Terpstra weaves literary evidence, intelligent guesswork, and vivid historical imagination into an eminently readable micro-history that forms part of a growing body of scholarship that challenges long-held historical assumptions about female honor in the Mediterranean world.
(Philip Gavitt American Historical Review)Nicholas Terpstra uses the puzzling deaths of teenaged girls in a Florentine asylum for the poor to take us into many surprising corners in the life of working people, and especially women, in that sixteenth-century city—sexual, medical, religious, and more. A fascinating Renaissance mystery story and a wonderful read!
(Natalie Zemon Davis, author of The Return of Martin Guerre)This is history with a decidedly human face. The author’s vivid descriptions of urban life and its material realities are unsurpassed. It’s no exaggeration to say that this book makes the streets of Renaissance Florence come alive like no other.
(Sharon T. Strocchia, author of Nuns and Nunneries in Renaissance Florence)In this finely crafted microhistory he exposes the social and cultural contradictions often lost in more general studies that were critical to the existence and functioning of the Casa della Piet�.
(Duane J. Osheim Sixteenth Century Journal) From the Back Cover
In 1554, a group of idealistic laywomen founded a home for orphaned and homeless adolescent girls in one of the worst neighborhoods in Florence. Of the 526 girls who lived in the home through its first fourteen years, only 202 survived. Struck by the unusually high mortality rate, Nicholas Terpstra sets out to determine what killed the lost girls of the Casa della Piet�. As he uncovers their sad fate, he also explores broader themes, including gender relations, abortion, syphilis, religious politics, and the challenges adolescent girls faced in Renaissance Florence.
"Terpstra weaves literary evidence, intelligent guesswork, and vivid historical imagination into an eminently readable micro-history that forms part of a growing body of scholarship that challenges long-held historical assumptions about female honor in the Mediterranean world."— American Historical Review
"A masterpiece of historical writing and an invaluable contribution to the study of premodern Italy."— Journal of Modern History
"The book contains fascinating, and sometimes shocking, information about Terpstra’s topic. I appreciated that Terpstra does not exclusively limit himself to the subject of Casa della Piet�, but uses the mystery of what happened to the home’s residents as a way to examine related issues."— Feminist Review
About the Author
Nicholas Terpstra is a professor of history at the University of Toronto and author of Abandoned Children of the Italian Renaissance: Orphan Care in Florence and Bologna, also published by Johns Hopkins, and Cultures of Charity: Women, Politics, and the Reform of Poor Relief in Renaissance Italy.
Most helpful customer reviews
2 of 2 people found the following review helpful.
A fine example of avant-garde scholarship
By Steven D. Sargent
Terpstra's book is a fine example of avant-garde scholarship that pushes the boundaries of historical speculation to the limit. This does not mean that his analysis is driven by theory: quite the opposite. His meticulous research seeks out every scrap of evidence bearing on the question of what was killing the girls of the Casa della Pieta, a home for abandoned teenage girls in sixteenth-century Florence. But all his effort comes up short of providing a definitive answer. Nevertheless the value of the book lies in the questions he asks and the logic of his analysis of the possible causes. And even if he can't provide a definitive answer to the book's main question, his work reveals in sordid detail the effects of Florentine sexual politics in the late Renaissance on the lives of teenage girls. In the concluding chapter, paying homage to Natalie Zemon Davis's famous work, Fiction in the Archives, he shows us how historians' accounts of the same events can differ radically based on their differing perspectives and purposes. This means that it is virtually impossible ever to be sure we know "what actually happened." As this conclusion indicates, Terpstra's book is scholarly in its approach and requires a fair amount effort and determination on the reader's part. I've assigned it to upper-level university students who find it a bit of a slog. But for those who really want to know what Renaissance Florence was like in all its grittiness, this is a must-read book.
2 of 2 people found the following review helpful.
Interesting
By Elaine
Well written. Beautiful writing near end of book. Good resource on women of Renaissance Florence and silk industry. Would recommend. Used as a resource in Renaissance and Reformation assignment at university.
3 of 4 people found the following review helpful.
Sex and Death in Renaissance Florence
By clarinetsarethebest
Nicholas Terpstra's Lost Girls: Sex and Death in Renaissance Florence is a thoughtful examination of a thoroughly fascinating question - why the adolescent girls in the Casa della Pieta were dying in alarming numbers - that reaches a satisfying, if not definitive, resolution. Terpstra's explanation of the role in the social structure of sixteenth-century Florence of the Pieta and its patrons is made even more interesting by his obvious deep concern for the women. I certainly enjoyed this book a great deal.
The problem, however, lies in the editing. Though Terpstra's habit of referring to the three girls he mentions near the beginning gets somewhat annoying (how many times do we really need to hear the phrase "girls like Margherita, Maria, and Maddelena"?), what's even more disturbing is how many sentences appear to have been left unchecked. The book is riddled with editing errors. For example, near the end, when Terpstra is considering the effects of French pox (most likely syphilis, in modern terms), the following sentence appears:
"They were more likely to visit prostitutes and brothels and were more likely to be exposed to the disease and later to pass it on to their wives, who could in turn infect pass it on to their children." (pp. 160-161)
It's fairly clear that Terpstra meant either to claim that mothers could "infect" or "pass it on to" their children, but the sentence construction makes no sense as-is. In these instances I think that the Johns Hopkins University Press has done the book a disservice.
Nevertheless, this book is otherwise quite good and is definitely worth reading.
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